1.
ABOVE THE SEGMENT :
SYLLABLES
- Defining The Syllable
·
The syllable is composed of a
nucleus (usually a vowel) and its associated non-syllabic segments.
·
Internal structure of a
syllable:
1.
the Nucleus is the syllable’s
only obligatory member, it is a syllabic element that forms the core of a
syllable.
2.
the Coda consists of those elements that follow
the Nucleus in the same syllable.
3.
the Rhyme is made up of the
Nucleus and the Coda.
4.
the Onset is made up of those
elements that precede the rhyme in the same syllable.
·
Native speakers of a language
demonstrate their awareness of this unit of phonological structure whenever
they count syllables in a word.
·
The existence of subsyllablic
units for a number of reasons. One of them is the fact that speakers do not
syllabify words in random or variable ways.
·
The word extreme
/ekstri:m/ would never be syllabified as
/e . kstri:m/. Instead, syllables comply with certain constraint that prohibit
them (in English) from beginning with a sequence like kstr and so result
in the syllabification /ek . stri:m/.
Some syllable-initial sequences in English:
/ə.plɔ:d/
|
Applaud
|
/di.klaɪn/
|
Decline
|
/ek.spleɪn/
|
Explain
|
/im.prə.vaɪz/
|
Improvise
|
B. Onset Constraints
And Phonotatics
·
Phonotactics, the set of
constraints on how sequence segments pattern, form part of a speaker’s
knowledge of the phonology of his or her language.
·
Initial consonant clusters in
English containing a voiceless stop
Labial +
sonorant
|
Coronal +
sonorant
|
Velar +
sonorant
|
[pl] please
|
[tl] -----
|
[kl] clean
|
[pr] proud
|
[tr] trade
|
[kr]
cream
|
[pw] -----
|
[tw] twin
|
[kw] queen
|
[pj] pure
|
[tj] tune
|
[kj] cute
|
[spl] splat
|
[stl] -----
|
[skl] sclerosis
|
[spr] spring
|
[str] strip
|
[skr] scrap
|
[spw]
-----
|
[stw] -----
|
[skw] squeak
|
[spj] spew
|
[stj] stew
|
[skj] skewer
|
· This table contains examples of the possible syllable-initial
consonant sequence of English that
contain a voiceless stop consonant. These sequence are all illustrated in
word-initial position to make them easier to pick out. (stress marking and
phonetic detail such as liquid-glide devoicing which are not relevant to the
present discussion are omitted here).
· This table show that the first segment of a word-initial
three-consonant cluster in English is always s, the second consonant is the
series always a voiceless stop, and the third is either a liquide or a glide.
C. Accidental
An Systematic Gaps
·
Some gaps in the inventory of
possible English words include snool, splick, sklop, flis, trok, and
criff, none of which violates any constraints on onset combinations found
in English.
·
Accidental Gaps is a gap in a
language’s inventory of form that correspond to non-occurring but possible
forms.
·
Occasionally, an accidental gap
will be filled in by invention of a new word. Borrowed word such as perestroika
(from Russian), taco (from Spanish), and zen (from Japanese) are readily
accepted by English speakers as long as their syllable structure conform to the
phonetic patterns of the language.
·
Systematic Gaps is gap in the
occurring syllable structures of a language that result from the exclusion of
certain sequences.
·
For instance, certain onset
sequence like /bz/, /pt/, and /fp/ are systematic gaps in the pattern of
English and are outright unacceptable to English speakers. Such sequence will
ordinarily be adjusted phonological when they are pronounced in spontaneous
speech.
·
There are many other words that
violate phonetic conditions and that nonetheless do commonly appear in spoken
English, such as pueblo [pwebləʊ], Tlingit [tlɪŋɪt] and the common pronunciation in young children’s speech of
‘street’ as stweet [stwi:t]. this appears to be case because thee sequences are
not absolutely exclude from the onset phonotactics of English as are such
sequence as ps- and bz- .
·
A labiovelar glide does not
usually occur in an onset after labial consonant, and an alveolar stop such as
/t/ is not followed by /I/; in both cases there is a restriction (in English)
on stop-sonorant onset sequences with the same place of articulation. Such
restrictions are nonetheless relatively easy to overcome in pronounciation.
D. Language-Specific
Phonotactics
·
language-specific constraints,
on the other hand, hold true for individual languages sush as English, and they
may or may not be found in other languages.
· Phonotactic constraints represent one kind of phonological
knowledge. We might wonder what prevents English words like extreme, applaud,
decline, explain, and improvise from being syllabify, since these divisions do
not violate any phonotactic constraints either.
E. Setting Up
Syllables
·
The process for setting up
syllables in a given language involves the following steps. There are four
steps to setting up syllables:
· Step a : since the syllabic nucleus is the only obligatory constituent
of a syllable, it is constructed first. Each vowel segment in a word makes up a
syllabic nucleus.
· Step b : onsets before codas : the longest sequence of consonant to
the left of each nucleus that does not violate the phonotactic constraints of
the language in question called onset of the syllable.
· Step c : any remaining consonant to the right of each nucleus form
the coda. This coda is associated with the syllable nucleus to its left in the
rhyme. A syllable with a coda is called a closed syllable.
· Step d : syllables that make up a single form (usually a word) ,
this step is frequently omitted from phonological representation to save space.
F. Syllabic Phonology
·
One reason for treating
syllables as units of phonological structure is that they are relevant to
stating generalizations about the distribution of allophonis features.
·
Aspiration in English
The distribution of aspiration can be stated generally by referring
to syllable structure.
Aspirated
stops
|
Unaspirated
stops
|
At the start
of a stressed syllable
|
Elsewhere:
-
in a syllable onset preceded
by s (whether another Coda
follows or not)
-
before a conconant
- initially in an unstressed
syllable
- in a syllable coda
|
·
The phonemic representations of
three English stops are unaspirated, since aspiration is a predictable feature.
The environments where aspiration occurs can be stated very generally by
referring to syllable structure.
G. Ambisyllabicity
·
Ambisyllabicity is accounted
for by assuming that the voiceless stops in these forms are simultaneously in
both syllables.
·
In words with ambisyllabic
voiceless stops, it is assumed that the stress attracts the voiceless stop into
the precending syllable. This requires
us to assume further that a word is resyllablified after stress has been applied
to the appropriate syllable.
·
The now ambisyllablic consonant
cannot undergo aspiration since it is (at least party) in the preceding
syllable.
·
Ambisyllablicity is not as
arbitrary as it might appear at first. Its presence not only accounts for the
lack of aspiration in these forms, but also helps explain why the first
syllables of upper, happy, and kicking might otherwise appear to end in
stressed lax vowels, a distribution which is otherwise not normally allowed in
English (except in expressive / onomatopoeic words like baa/bӕ/). The simultaneous presence of the voiceless stop in the coda of
the first syllable and the onset of the second means not only that we do not
expect aspiration, but also that the first syllable is closed and so the
presence of a lax vowel is normal.
H. Phonetic Length In English Vowel
·
Phonetic length (here shown
using a macron ‘ – ‘ over a vowel, e.g. ē ) is predictable in English vowels.
·
Whatever their inherent length
(or, to put it another way, regardless of wheter they are phonologically tense
or lax) English vowels are phonetically some what shorter than they would
normally be, when they occur before voiceless consonants, before sonorant
consonant, and in word-final position.
Phonetic length in English
A
|
B
|
Bad [bǣd]
|
Bat [bӕt]
|
Wed [wēd]
|
Wet [wet]
|
·
Conversely, the vowels are
relatively longer than they would normally be, when they occur before voiced
non-sonorant consonant.
Vowels shorter before voiced consonants in English
adept
|
[ӕ.dept]
|
/ӕdept/
|
negate
|
[ne.geɪt]
|
/negeɪt/
|
·
This table shows, the phonetics
duration of vowels is determined by syllable structure. The firs-syllable
vowels all precede voiced, non-sonorant consonants, but they are not lengthened
since the voiced consonant is in the following syllable.
·
English vowels are lengthened
when followed by a voiced obstruent in the same syllable. As the analyses of
the distribution of aspiration and vowel length in English have shown, the use
of syllabic representations in phonology permits us in some cases to make more
general statements about allophonic patterns in language than if we use only
statements that do not make reference to syllable structure.
I. Syllable And Stress In English
·
Stress is defined as the
perceived prominence of one or more syllabic elements over others in a word. In
some languages- English among them- the structure of individual syllables plays
a role in determining which vowel is stressed.
A
|
B
|
C
|
Synόpsis
|
arόma
|
Cabinet
|
veránda
|
archipélago
|
América
|
agénda
|
hiátus
|
Cinema
|
·
The words in columns A and B
are all stressed on the penultimate (next to last) syllable, while those in
column C are all stressed on the third syllable from the end of the word (the
antepenultimate syllable), as the form cabinet makes clear. Although the
stressing of the words may seem arbitrary at first, reference to syllable
structure makes clear that there is some system underlying the assignment of
stress here.
1.
Words in column A: share
correlation between their syllabification and their stress : the stressed
penultimate syllable has a coda ( a syllable with a coda is said to be closed)
·
Words in column B: also share a
syllable structure characteristic: their nucleus contains a tense vowel. Although
the syllable is not closed, the nucleus vowel with two element in it (the [ǝ] and [ʊ] of the dipthongs [ǝʊ]) is now represented as branching. In other words, tense vowels
have the same effect on stress assignment as consonants in closed syllables.
So, closed syllables as well as open syllable with two rhythmic elements in the
rhyme are referred to as heavy while syllables with just a short vowel are said
to be light.
·
To put it differently,
syllables with one rhythmic beat or mora are light and those with two are
heavy. Note that the onset contributes nothing to syllable weight.
·
English nouns are stressed on
the penultimate syllable when it is heavy; otherwise, they are stressed in the
antepenultimate syllable.
2.
FEATURES
Features are the
units of phonological structure that make up segments.
A. Features As Independent And
Coordinated Elements
Speech is
produced by a number of coordinated articulatory activities such as voicing,
tongue position, lip rounding, and so on. Features such as voice, high, round.
The representation of a segments by features capture this coordinated activity by
placing features in an array called matrix.
Each feature of group of features defines a specific property of the segment.
B. Features And Natural Causes
Each feature may
represent a phonologically relevant characteristic of segments. In phonological
terms, features capture natural classes,
which are classes of sounds that share a feature or features, such as
voiceless stops, glides high vowels, nasal consonants, and so on.
Because features define natural classes, we can
now see their relevance to phonological analysis. It is not individual phonemes
such as /p/, /b/, /k/, and /g/ that contrast in English; rather, the entire
class of voiced stops contrast with the class of voiceless stops. It is the
feature [voice] that is contrastive, not the individual segments, since we can
define the contrast between each pair of segments with otherwise identical
articulations as residing in the feature [voice]. Since this single feature is
employed in all voiced-voiceless contrast, we say that [voice] is a distinctive feature of EnglishBibliography:
Giegerich, Heinz.J. (1992) English
Phonology. Cambridge: Cambridge University
Press.
Dobrovoslsky, Micheal and Francis katamba. (1992) page. Phonology
: The Function and Pattering of sounds. Cambridge:
Cambridge University Press.
http://www.ic.arizona.edu/~lsp/Phonetics/ConsonantsI/Phonetics2c.html.
Phonology: place of articulation.
2011.
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